On a plot deployed along a railway line in the south and a road in the north, constrained by the noise pollution of both, the location of these 62 dwellings escapes the frontal alignments.

3 buildings with fractured geometries, playing on their varied positioning, expose the dwellings to the greatest possible tranquility and the most pleasant East-West sunshine.

Architectural effigy sculpts voids with the same precision as full ones. The courtyards and gardens created in this way are the result of a playful landscape project characterised by the imperial installation of eight "gingko biloba" (the tree with forty écus) which, depending on the season, will change their colour from green to red and orange.